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“As I read it, at first Monet is not an attractive character. You think, ‘This is absolutely why, as a woman, you should not live with an artist.’ It’s full of scrounging letters, and the suffering of these women who are, of course, immortalised in beautiful portraits by him, but following him around or being abandoned by him…She explains quite how it is that he comes to revolutionise art and to create these ravishing works that are just luminous. She writes very beautifully about it. As life goes on, instead of being improvident, he becomes very wealthy. Finally, you see him at Giverny employing six gardeners, one of whom has to dust off the water lilies! There’s great pathos. You’re won over to him, as his life goes on, and see how he, too, has suffered for his art. It’s a rich and moving account.” Read more...
The Best Nonfiction Books: The 2024 Duff Cooper Prize
Susan Brigden, Historian
